@orbitstudio , the crew that’s been elevating Lisbon’s music scene, puts it simply: sound quality is a human right. Here’s their handpicked lineup of DJs spinning next week — don’t miss it. @Trol 2000 At @durodematar.pt on November 30th @Sherivari At @a_capela_bar on November 25th @DiaDiaDia At @taqueriapaloma on November 29th @Nuno Bernardino At @a_capela_bar on November 30th

@Manuel Tainha — based in Lisbon — is a portuguese artist that uses unique materials and techniques, such as bleach on cotton, burnt velvet, and embroidery, revealing works with a rich interplay of textures and contrasts, drawing one into multiple imaginative landscapes. This is his list of 5 artists we need to keep in our radar:

We've put together our curated selection of emerging photographers redefining visual narratives. From analog photography to editorial fashion work, these artists bring a thoughtful lens to contemporary photography, shaping today's creative discourse.

Today we’re featuring @anaisalmeidae a talented designer and foodie. Anaís shared her must-try dishes in Lisbon: Tomato from Boavista Social Club Carefully cooked, this roasted tomato in tomato water and Dashi proves how incredible tomatoes can be. Oyster Shot from Paloma Negra   A burst of umami with an oyster and a shot of tomato, lime, and more. Carnitas Taco from DDM   The one meat option at a mostly vegetarian spot. Perfectly cooked pork belly with a tangy kick. Risotto from Tricky’s A new, seasonal risotto is always on the menu, and it’s always perfect. Dosa from Kerala Kerala’s masala dosa is a quick trip to South India. Carrot Bagel from Rhodo Bagels   A veggie take on Lox and Schmear that’s better than the original. Pastel de Leitão from O Velho Eurico   A must-order classic. Always ask for extra sauce! Fried Chicken from Bloco Lisboa A quiet spot in Chiado with great fried chicken and wine.

We’re starting a new series where local and international creatives we admire share their unique perspectives—whether it’s their work, daily life, or favourite spots—and our first guest is a special one: Lisbon through the eyes of Julia Andrade, a Brazilian creative combining fashion, design, and culture. @JUTTTRI First one has to be Feira da Ladra . Even though I haven’t been in a while, it never disappoints. Whether you have a date, you’re meeting a friend or simply having some alone time, you never know what you’re going to find and I love that.  @JUTTTRI You can (and should)  check the museum of Gulbenkian , but what I love here is the garden. Perfect place to think, to watch the ducks chilling, maybe catch up with a friend or just lie in the sun reading a book. Immaculate vibes. @JUTTTRI If you’re at Gulbenkian, you might as well check Under the Cover  since is so close by. A variety of magazines for you to choose from and get inspired. I bet you can’t leave the shop empty-handed. @JUTTTRI Now, if I need to see beautiful things, I like to pay Kintu  a visit. If you want to get inspired by beautiful and unique objects or if you have a birthday and you have no idea what to buy as a gift, here’s the place. @JUTTTRI Another place to see beautiful things in my opinion is Parlamento . The best clothing brands are here. If you’re into fashion like me, definitely check it out. They have two stores in Lisbon now. @JUTTTRI And because sometimes the mind is tired but the body isn’t, 9.8 Gravity  made the list. I always change hobbies and bouldering is maybe my favorite at the moment. If I’m spending too much time in front of the computer, there’s nothing like taking a break to exercise. The space is soooo calming and nice, I love to sit at the café while I wait for my friends before we start climbing. @JUTTTRI Lastly (maybe I’m biased), my favorite thing happening in Lisbon right now is Lola’s Club . It’s a no-procrastination club that gives you the opportunity to focus on stuff you have been postponing. Every month, Lola's Club hosts three-hour meetings at Espaço Arroios in Lisbon, and you can sign up to write your thesis, update your portfolio or work on whatever task you might have been procrastinating. Perfect for when you have a deadline and you simply can’t focus at home.

We interviewed the talented @mariacarlosbaptista  who shared how her dance background shapes her unique approach to sustainable fashion. Her sensitivity to movement inspires her to design versatile, timeless pieces that not only flow with the body but also minimize environmental impact. @MOCHIS Your background in dance directly influences your work as a designer, especially in the choice of fabrics and forms. How has this sensitivity to movement also guided you towards more sustainable and conscious fashion? @MCB Dance gives you a profound awareness of how fabric interacts with the body, in the way it moves, drapes, stretches, and flows. This sensitivity naturally leads me to seek materials that not only perform beautifully in motion but are also kinder to the environment. Dance emphasizes fluidity, ease, and minimalism — qualities that translate into creating timeless, versatile pieces which I’m very fond of. Instead of focusing on fast fashion trends, I design garments that adapt to different settings always encouraging longevity while reducing waste. And just like a choreography, which requires thoughtful sequencing and repetition, I apply similar method in reducing excess and focusing on what’s essential — whether in pattern cutting to minimize fabric waste or using modular designs that allow garments to evolve. @MOCHIS What challenges and innovations do you encounter in your creative process? @MCB In my creative process, one of the main challenges is balancing aesthetics with functionality. I always want my garments to look stunning, but they also need to be comfortable and practical. Especially when working with sustainable fabrics, which often lack the luxurious feel I’m aiming for, it can be tricky to create eco-friendly pieces that still feel high-end. To address this, I’ve started designing modular garments that are versatile, so they can be worn in different ways or adapted over time. It allows customers to be creative with a singular item and invest in pieces they can wear longer. While I haven't yet explored smart fabrics, I'm eager to integrate technology that enhances functionality. And collaborating with artisans is a big part of my process — it’s inspiring to mix traditional techniques with modern fashion, and that combination often leads to innovation. I also focus on zero-waste pattern-making and upcycling. This approach forces me to rethink how garments are made, and sometimes the constraints of the fabric lead to beautiful, unexpected designs. In fact, some of my most popular pieces have come from these challenges. @MOCHIS How do you perceive the market's acceptance of sustainable and conscious design? @MCB It has grown significantly, especially among younger consumers who prioritize transparency and values. However, challenges remain, particularly in luxury, where sustainability can still be seen as lesser in quality or aesthetics. Price sensitivity is another hurdle, as eco-friendly materials often cost more. Despite this, I see the market's acceptance gaining momentum, with sustainable design becoming an integral part of fashion as innovation and education continue to evolve. @MOCHIS How do you see the future of fashion in Portugal within the context of more sustainable and technological practices? @MCB I believe the future of fashion in Portugal is promising, especially in sustainability and tech innovation. Portugal's strong textile heritage and eco-friendly focus position it to lead in sustainable fashion. With our growing tech presence, we can integrate advanced technology into production and embrace closed-loop systems, where old garments are reused to create new ones—something my brand is deeply committed to. By leveraging its manufacturing excellence, embracing technological innovations, and staying true to its artisanal roots, Portugal will carve out a niche as a forward-thinking, sustainable fashion hub in Europe. @MOCHIS And how do you see yourself positioned within that future? @MCB As the founder of Maria Carlos Baptista, my goal is to position the brand at the forefront of sustainable luxury in Portugal, with craftsmanship, upcycling, and sustainability at its core. I’m committed to building a relationship with customers that encourages conscious consumption and loyalty to both the brand and the environment. I also aim to expand internationally, bringing my Portuguese roots to a global audience seeking authentic, sustainable luxury. I see my brand leading by example, proving that sustainable luxury is not only possible but essential.

From September 12th to 15th, @coletivo.correntedear festival starts the city’s art season. This year in a new space at Beato Innovation District. With 81 artists and 130 works on display, the event offers a relaxed space to discuss and enjoy contemporary art and meet new artists in Lisbon. @MOCHIS What inspired the creation of this project? @CCDA It all began during our Erasmus exchange in Budapest. We met this German couple who would put out an open call in the two big arts universities in town, clear out their living room and set up an exhibition in their apartment. People brought food and drinks and there were artworks in the toilet. We loved this experience of community and networking, creating a bridge where before there wasn't one. Then in 2021, late covid times, we decided to do the same thing in a random apartment building in Lisbon, calling it Corrente de Ar - air draft - our idea was to open the doors and windows and let the air, the people and the artworks in, in a mutable, flexible and uncomplicated way. It was all about allowing people to talk about art in an intimate and comfortable setting, not only “art people” but creatives from all industries, different types of public who know and don’t know about art and oftentimes just passersby. @MOCHIS In what ways does your project aim to influence and reshape the art industry? @CCDA Our main goal has always been to democratise the access and language around art and to give opportunity to artists who are truly starting out. We don’t use “artspeak”, we don’t close doors or objects behind bars in immaculate white cubes. We promote artists in whose work we see a spark, something of value, they don’t need to have it all figured out yet. We hope to influence an uncomplicated approach, to establish that you don’t need to know about art to appreciate it, that art can and should be something to live with, not exclusive to museum walls and that there are a myriad of ways to talk about it - it doesn’t need to be in hushed voices using tetrasyllabic words. @MOCHIS What challenges have you faced as a collective, particularly in the context of how our country supports culture, and how have you navigated them? @CCDA There is so much talent in Portugal and we love the community we have built and what we see is that there is hunger and need for what we are doing - Portugal needs more projects like this. The biggest challenge has definitely been bureaucracy, you need to jump through hoops to get things done correctly, nothing is straightforward. We are now officially a non-profit and we’re still learning as we go, you need to be incredibly strong minded and resourceful not let these things deter you. @MOCHIS How do you believe we can best support artists in today's world? @CCDA The best way to support artists is undeniably buying their work and not asking for a discount or requesting things for free. Obviously, this is not always possible. If purchasing isn't feasible for you, simply showing up to exhibitions and events is a valuable form of support, as well as following and sharing the artist’s work on social media. Yet, this is a two way street and art can sometimes feel intimidating. One of our aims is to break down barriers by creating a welcoming environment for "outsiders," combining various creative disciplines, and offering diverse entry points to engage with art, hopefully allowing people to discover unexpected interests. @MOCHIS How do you envision the evolution of Coletivo Corrente de Ar? @CCDA We can envision its evolution along two main paths. First, there's the natural expansion of the festival itself. This would involve growing the exhibition space, showcasing more artists, and enriching the program with a wider array of parallel events. These could include diverse offerings from musicians, chefs, and other creatives, creating a more immersive and multifaceted experience. A second, equally important path lies in deepening the support provided to artists. This could involve developing programs to guide first-time exhibitors, offering artist representation services, and creating a robust artist advisory system. Additionally, the collective could expand into mentorship programs, organise educational talks and workshops, develop courses, and even establish artist residencies. @MOCHIS What can we expect from your fourth edition? @CCDA You can expect a much bigger space, this year we’re partnering with Beato Innovation District, and this means more artists - we’re exhibiting 81 artists - and more artworks. Additionally, we’re partnering with Browers, Super Bock’s new line of artisanal beer, so you can come and try it. We will have an after-party on Thursday at Arroz Estúdios to celebrate

Creative work isn’t about exhausting ideas, it’s about building with purpose, creating work that matters, and finding balance in the process. It’s becoming harder to stay creative and truly unique. To keep creativity alive, we need a mindset shift in the industry, one that values originality and meaningful creations over constant output, trusting in and genuinely valuing the creative process.

If there’s a place that inspires us, it’s definitely @underthecovershop. We've invited them to create a list with the latest must-read magazines. Backstage Talks Edition 8 Insightful interviews on design and business with industry leaders. Playground Edition 2 Brain food for creatives, featuring essays and conversations around a theme. Digital Frontier Edition 1 If you like reading about technology and how it is influencing our lives. Emergence Magazine Edition 5 A beautifully produced annual magazine on ecology, culture, and spirituality. This year's issue is about Time. Famous for My Dinner Edition 2 Food & culture at its best: the current issue focuses on 'the food fad'. Useless Fighters Edition 1 A new oversized magazine redefining the significance of mountains in culture, politics, identity, and sports. MacGuffin Edition 14 Exploring the many stories behind a single object—this edition focuses on The Wall, covering its design, craftsmanship, culture, and history.

In today’s digital world, we’re bombarded with perfect and polished designs everywhere we look. At first, they catch our attention, they're beautiful, clean, and easy to like. But have you ever noticed how quickly you get bored of them? Perfect designs, while undeniably pretty, can often feel predictable. They follow the rules, they don’t challenge us.  They blend in because they fit too well with what we expect. And that’s where the problem lies: they’re too perfect. The human brain craves excitement, something that shakes things up.  The perfectly crafted design, while nice to look at, doesn’t hold that power for long. We move on quickly because there’s nothing left to explore. On the flip side, designs that feel a little off  or imperfect,  whether it's a quirky layout, a strange color combination, or an unusual texture, don’t always grab you immediately. Sometimes they make you stop and think, or even feel a bit uncomfortable at first. But this discomfort is exactly what gives them staying power. They invite curiosity. As time goes on, you notice new details, and your initial reaction starts to evolve into appreciation. These "ugly" or unconventional designs stick with you because they challenge the norm. What makes these imperfect designs so effective is the emotion they evoke.  While beauty is pleasant, it’s often fleeting. Imperfect designs, however, tap into something deeper. They engage us in a conversation. They’re unpredictable, and that makes them memorable.

This week we've invited Joana Duarte, founder of @Kitchnette — a food industry marketing agency, to bring 7 gastronomic trends and to tell us where we could find them in Lisbon.

Having a great product isn't enough. It’s a common oversight many brands make—not aligning their communication with their interior design. This disconnect can ruin a brand’s identity and confuse the customers. Aware of that, Juliana Penteado complemented Studio XXXI interior design with our communication services.  The most successful brands understand the importance of building a cohesive and integrated experience. And in Juliana's case, it's clear that success isn't just a stroke of luck. When there’s misalignment, consciously or unconsciously, customers can feel detached from the brand, negatively impacting their perception and loyalty. You might be thinking, "This is just about aesthetics." But no, it's actually a vital strategy to ensure that the brand's identity is authentically and fully experienced, creating meaningful connections with customers and standing out in the crowd.